Juan Camilo González
BA, MFA, PhD – Born in Manizales, Colombia (1984).
Working at the intersection of traditional hand-drawn animation and cutting-edge web technologies. I divide my time between making personal animated films, creative programming, academic research, education and curatorial endeavors.
Passionate about exploring innovative aesthetic and narrative forms of animation using emerging digital tools, particularly open-source software / hardware and programming.
As founding director of the group Moebius Animación, my curatorial focus is on providing visibility to auteur animation created in Latin America.
Recipient of the USC Annenberg Fellowship, NTU Research Scholarship and multiple film festival awards. My work has screened at numerous film festivals, galleries and museums from all around the world.
Education
2012 - 2019 | PhDSchool of Art Design & Media (ADM), Nanyang Technological University, Singapore |
2014 | Seminar / WorkshopHTML5 Mobile App Development Bootcamp, Nanyang Technological University, Singapore |
2014 | Workshop22th International Animated Film Workshop, Akademia Sztuk Pięknych, Miedzynarodowe Warsztaty Filmu Animowanego, Lanckorona, Poland 10 days workshop aimed towards development of animated short projects. Mentorship by Jerzy Kucia and Gil Alkabetz, including seminar and film screenings by mentors, guest artists and SE-MA-FOR Studios. |
2014 | Seminar / WorkshopHTML5 Game Development Bootcamp, Nanyang Technological University, Singapore |
2014 | Seminar / WorkshopNTU-Warwick Winter School: Introduction to Complexity & Complexity Science, Nanyang Technological University, The University of Warwick, Singapore Jointly organized by Nanyang Technological University Complexity Institute & Warwick Centre for Complexity Science by Professors Peter M. A. Sloot, J. Stephen Lansing & Robert S. MacKay. Including lessons by John H. Holland, W. Brian Arthur, and others. |
2012 | Seminar / WorkshopMozilla HTML5 Bootcamp and Seminar, Nanyang Technological University, Singapore |
2008 - 2011 | MFAJohn C. Hench Division of Animation & Digital Arts, School of Cinematic Arts, University of Southern California, Los Angeles, USA |
2002 - 2007 | BFAPregrado en Artes Visuales con Énfasis en Expresión Audiovisual, Facultad de Artes, Pontificia Universidad Javeriana, Bogotá, Colombia |
Awards
2021 | Competition1st Prize, Premio Simón Bolivar, Premio Nacional de Periodismo Simón Bolivar, Bogotá, Colombia Awarded in the Multimedia Category to the project “Siete Horas de Angustia en la Modelo”. |
2020 | CompetitionFinalist, Premio Gabo, Fundación Gabo, Bogotá, Colombia Finalists with the project “Siete Horas de Angustia en la Modelo” in the Innovation category. |
2012 - 2016 | Full ScholarshipNTU Research Scholarship, Nanyang Technological University, Singapore |
2014 | Competition1st Prize, HTML5 NTUitive Hackaton, Nanyang Technological University, Singapore |
2013 | Film Festival1st Jury Prize, Kinodot Short Film Festival, Saint Petersburg, Russia |
2012 | Film FestivalNational Finalist, 39th Student Academy Awards, Los Angeles, USA |
2012 | Film Festival1st Prize, 5th International Animation Contest Animasivo, Mexico City, Mexico |
2011 | Film Festival1st Prize, International Experimental Student Film, VIII Festival Internacional de Cortometrajes FENACO, Cusco, Peru |
2011 | Film Festival1st Prize International Film Category, IV CINETORO Film Festival, Toro, Colombia |
2008 - 2011 | FellowshipUSC Annenberg Fellowship, University of Southern California, Los Angeles, USA |
2010 | Film FestivalFirst Prize International Animation, XVIII Festival Chileno Internacional de Cortometraje de Santiago, Santiago, Chile |
2010 | Film FestivalBest Experimental Short Film, IV Festival Internacional de Cine de Villa de Leyva, Villa de Leyva, Colombia |
2010 | AcademicUSC Annual Academic Honors Convocation, 28th Phi Kappa Phi Student Recognition Award, Los Angeles, USA |
2009 | Film FestivalJury's Special Mention in the Experimental Animation Category, 5° Festival Latinoamericano de Animación y Videojuegos, Bogotá, Colombia |
2008 | Film Festival3 awards: Jury's Prize, Best Animated Short Film & Special Audience Choice, 2° Festival Internacional de Animación FIA’08, Montevideo, Uruguay |
2008 | ScholarshipSchool of Cinematic Arts (SCA) Scholarship, University of Southern California, Los Angeles, USA |
Experience in Education
2019 - Currently | Assistant ProfessorCentro de Estudios en Periodismo, Universidad de los Andes, Bogotá, Colombia |
2016 - 2019 | LecturerMaestría en Creación Audiovisual, Pontificia Universidad Javeriana, Bogotá, Colombia A masters program, I teach animation and experimental cinema. |
2013 - 2014 | Teaching AssistantSchool of Art, Design & Media, Nanyang Technological University, Singapore TA and lead workshops for BA students taking classes offered by the Interactive Art department. |
2011 - 2012 | Part Time LectureriSpark Summer Program, King Abdulaziz Center for World Culture, Saudi Aramco, Dhahran, Saudi Arabia I was involved in this project during the summers (6 weeks) of 2011 and 2012. In collaboration with Diana Reichenbach we developed a curriculum for a series of workshop aimed towards Saudi kids from 12 to 17 years of age. The focus was on introducing the students to basic animation concepts through short lectures, screenings and hands-on workshops using traditional animation techniques. We first trained the lecturers that will later teach the program in the local language. During the classes with the kids we will be in classroom assisting and providing additional support during the entire course. |
2011 - 2012 | Part Time Lecturer- Research ScholarJohn C. Hench Division of Animation & Digital Arts, University of Southern California, Los Angeles, USA Research and development using: HTML5, CSS3, Javascript, WebGL, ActionScript, Augmented Reality and Arduino microcontrollers. Training students to use these technologies to expand their animation and storytelling vocabulary. Design and develop new website for the USC animation program. |
2008 - 2011 | Teaching AssistantJohn C. Hench Division of Animation & Digital Arts, University of Southern California, Los Angeles, USA TA for diverse animation courses offered to BA and MFA students. |
2006 - 2008 | LecturerDiplomado de Animación Experimental, Facultad de Artes, Pontificia Universidad Javeriana, Bogotá, Colombia Teaching courses on animation theory, traditional techniques and digital animation software. Also working with students in the process of brainstorming, development and creation of their final animation projects. |
Research Projects
2021 - 2023 | EnFlujo Laboratory, Universidad de los Andes, Bogotá, Colombia I am the director and founder of the laboratory investigating digital narratives. |
2021 - 2022 | COLEV, Universidad de los Andes, Bogotá, Colombia Interdisciplinary research group focusing on COVID-19 and and tools to bridge academic research and policymakers. |
2007 - Currently | Director- FounderMoebius Animación, Colombia Moebius Animación is a non-profit organization dedicated to exhibit artists, films and research around experimental animation in Latin America and Spain. Our goal is to amplify the voices of artists that decide to take risks and push forward the art of moving images. My role has been to lead a team of scholars in the process of cataloging, preservation and distribution of independent animation and research. We disseminate our research through an online website, film festivals programs and other cultural venues. |
2014 - 2015 | Open Source Studio, School of Art, Design & Media, Nanyang Technological University, Singapore The project Open Source Studio is an innovative approach to online education led by NTU visiting professor Randall Packer. My role was to develop software, design the information architecture of a network of websites and visual design of WordPress themes. The platform and tools I develop are aimed to enhance the online education of students and faculty involved in art, design and media practices. |
Experience in Cultural Initiatives & Events
2021 | CuratorBodies of Animation: Analogue Tales from Latin America, REDCAT, Los Angeles, United States |
2017 | CuratorLatent Memory: Present Visions of Latin American Political Past, University of Southern California, Los Angeles, United States Financed by a “Visions & Voices” grant |
2015 | CuratorPanorama of Latin American Animation, 12th Kecskemét Animation Film Festival, Kecskemét, Hungary Lead curator for a large panorama of Latin American animation. Selected a total of approximately 8 hours of animation in a series of 6 short film programs and 2 feature length films. |
2014 | Jury2nd Kinodot Film Festival, Saint Petersburg, Russia Member of the international jury. |
2013 | JuryVI Cinetoro Film Festival, Toro, Colombia Film festival jury for the International and National categories. |
2011 | CuratorColombian Avant-Garde Animation, University of Southern California, Los Angeles, U.S.A The project was led by Professor Sheila Sofian and executed in collaboration with Professors Lisa Mann and Christine Panushka. My role in the project was in support and advice on the grant proposal, curate the film screening and later as panelist during the event. Event panelist included: Dr. Cristina Venegas, Carlos Santa, Cecilia Traslaviña. Moderated by Dr. Janeann Dill. |
2009 | CuratorMuestra de Animación Experimental, Moebius Animación, Bogotá, Colombia Film screening from a selection of international and national experimental animation artists. Free event, open to the general public and held in the Auditorio Sala Fundadores, Universidad Central. |
Public Lectures, Conferences
2021 | LectureDatos y Relatos “Enflujo, ante el presente digital”, Cinemateca de Bogotá, Bogotá, Colombia |
2019 | LectureAnimación con Datos, La Truca Festival de Animación, Cali, Colombia |
2018 | SymposiumEncuentro Latinoamericano del Libro, la Edición y la Lectura, Instituto Caro y Cuervo, Bogotá, Colombia Presentation of the project: “El pasado impreso: historias digitales de cultura impresa” in collaboration with Sandra B. Sanchez. |
2016 | Conference(SAS) The Cosmos of Animation: 28th Annual Conference of the Society for Animation Studies, Nanyang Technological University, Singapore Paper presented: “Data Driven Drawings” |
2015 | Chair- Lecture- PanelistArt of The Networked Practice: International Online Symposium on Innovation in Networked Research, Artistic Production and Teaching in the Arts, School of Art, Design & Media, Nanyang Technological University, Singapore Chair for the session “Collective Research”. Title of the presentation “Gutting the Paper”. Panelist for conference conclusion “Virtual Roundtable Global Exchange: Net Behaviors”. Symposium co-chaired by Randall Packer & Vibeke Sorensen. |
2014 | LectureOpen Source Studio: Collaborative Learning in the Third Space, School of Art, Design & Media, Nanyang Technological Univeristy, Singapore As part of the ADM Research Lecture Series, a joint talk with Randall Packer and Kristy Kang on collaborative learning. |
2014 | ConferenceEnvironmental Visions: Revealing the Environment with Art, Science and Technology, School of Art, Design & Media, Nanyang Technological University, Singapore Paper presented: “Data Driven Metaphors” |
2013 | Conference(SAS) Redefining Animation: 25th Annual Conference of the Society for Animation Studies, John C. Hench Division of Animation & Digital Arts, University of Southern California, Los Angeles, U.S.A Paper presented: “From Celluloid to Databases: Towards an Understanding of Internet Cinema and its Application to Digital Animation” |
2011 | Lecture- Panelist3er Encuentro Académico de Animación: “La Animación Como Herramienta Social”, ASIFA, Bogotá, Colombia |
2011 | LectureRecodromo Lecture Series, Facultad de Artes, Pontificia Universidad Javeriana, Bogotá, Colombia Lecture on my personal work in animation, description of the creative process and motivations. Video documentation (in Spanish): https://vimeo.com/31092152 |
2011 | SymposiumThird USC Annual Research and Creative Symposium, University of Southern California, Los Angeles, USA Title of the presentation: “Mar de Fondo: Collaborative film project between Spain│Colombia│USA” |
2010 | LectureUSC Annenberg Graduate Fellows Reception, University of Southern California, Los Angeles, USA Presentation of personal films and research on experimental animation. Per invitation, representing the Annenberg fellows of the USC School of Cinematic Arts. |
2010 | SymposiumSecond USC Annual Research and Creative Symposium, University of Southern California, Los Angeles, USA Title of the presentation: “Moebius Animación: Reactionary Animation from Colombia” |
2009 | SymposiumFirst USC Annual Research and Creative Symposium, University of Southern California, Los Angeles, USA Title of the presentation: “Architecture as a Screen” |
Exhibitions
2018 | Collectiveánima(l) – Bienal de arte y diseño, Universidad Jorge Tadeo Lozano, Bogotá, Colombia |
2018 | CollectiveTango on 16 square metres, Zachęta National Gallery of Art, Warsaw, Poland |
2018 | CollectiveMIDBO, “Previsiones” – Documental Expandido, Muestra Internacional Documental de Bogotá (MIDBO), Bogotá, Colombia |
2016 | CollectiveVoltaje – Salón de Arte y Tecnología, Centro Creativo Textura, Bogotá, Colombia Participated with the data representation piece “N.N.” – Curated by: Carmen Gil Vrolijk |
2015 | CollectiveAnimación en Colombia, Cámara de Comercio de Bogotá, Bogotá, Colombia Exhibiting the film In Abyssus HumanÆ ConscientiÆ (ReconoceR). Curated by: Andrés Burbano, Oscar Andrade & Laura Castiblanco. |
2015 | CollectiveExperimentelle kolumbianische Animation, AStA-FILM der Universität zu Köln, Cologne, Germany Exhibition of the film SiSiSiSiSiSiSiSiSiSiSi and transmedia project Eterna. Curated by Diana Menestrey & Camilo Colmenares. |
2015 | SoloArt of the Networked Practice: Eterna, School of Art, Design & Media, Nanyang Technological University, Singapore Solo exhibition of the transmedia project Eterna. Presented both on site as an installation and online at: http://eterna.juancgonzalez.com |
2014 | CollectiveLa Dicha del Movimiento: El Cine de Norman McLaren – Los Herederos, Museo de Arte Moderno de Buenos Aires, El Cine es Otra Cosa: Ciclo de Cine Experimental en el Moderno, Buenos Aires, Argentina Curated by: Andrés Denegri & Gabriela Golder. |
2013 | CollectiveVideograma, Colectivo Patasola, Bogotá, Colombia Curated by: Juan Alonso, Ximena Velásquez, María Lucía Arbeláez. |
2013 | CollectiveParC: Feria Internacional de Arte Contemporáneo, Museo de Arte Contemporáneo, Lima, Perú Curated by: José Carlos Mariategui |
2012 | CollectiveBeijing International Light Media Installation Art Exhibition, Shijingshan Amusement Park Green Square, Central Academy of Fine Arts, Beijing, China Curated by: Qiuyan Wu & Tianran Duan. |
2012 | CollectiveLíneas de Tiempo, Galeria el Nogal, Bogotá, Colombia Gallery exhibition of the films “Mecanismo Olvidador” & “SiSiSiSiSiSiSiSiSiSiSi“. Curated by Ana Maria Lozano. |
2010 - 2011 | Collective48th Ann Arbor Film Festival Tour, Ann Arbor Film Festival, The film “Mecanismo Olvidador” was part of this exclusive touring program and screened in numerous venues across the United States. |
2010 - 2011 | CollectiveAnimac on Tour, Mostra Internacional de Cinema d'Animació de Catalunya, The film “Mecanismo Olvidador” was chosen for the itinerary exhibition of the 2010 Animac festival. This exhibition takes a small selection of the films that participated in the festival and shows them in numerous venues throughout Europe. Curated by: Isabel Herguera |
2010 | CollectiveAdobe First Frame Installations, SCA Gallery, John C. Hench Division of Animation & Digital Arts, Los Angeles, USA Presented the animated installation: “My House Portrait“ |
2010 | CollectiveDADA student exhibition, Chapman Windows Gallery, Los Angeles, USA Curated by: Mike Patterson & Candace Reckinger. |
2010 | CollectiveBLENDO: New Hybrid-Image Animation, SCA Gallery, John C. Hench Division & Digital Arts, University of Southern California, Los Angeles, USA Curated by: Mike Patterson & Candace Reckinger. |
2009 | CollectiveHigh Light / Low Light, Sea and Space Explorations Gallery, John C. Hench Division of Animation & Digital Arts, University of Southern California, Los Angeles, USA Curated by Larissa Bank |
2008 | CollectiveCuadro a Cuadro: Historia de la Animación Colombiana, LOOP Festival Latinoamericano de Animación y Videojuegos, Centro Cultural Gabriel García Márquez, Bogotá, Colombia Exhibition of original drawings and screening of film “Los Tres Errantes“. Curated by: Juan Manuel Pedraza. |
2008 | CollectiveAngustia, Muerte y Temporalidad, LA Galeria, Bogotá, Colombia Exhibition of original drawings and screening of film “Los Tres Errantes“. |
2008 | CollectiveDisidente Sonoro, La Distritofonica, Matik Matik, Bogotá, Colombia Exhibition of original drawings and film screening of “Los Tres Errantes“. The film is also distributed as part of the music CD “Disidente Sonoro” by La Distritofonica. Curated by Alejandro Forero. |
2007 | SoloExhibición Publica de Tesis de Grado, Bogotá, Colombia |
Experience in Animation Industry
2011 - 2012 | AnimatorMoon Productions, Dhahran, Saudi Arabia Educational animated segments to illustrate scientific concepts. |
2011 - 2012 | Digital CompositingUnited Plankton Pictures Inc., Los Angeles, USA Photographing and digital compositing for the independent film “Hollywood Boulevard” directed by Stephen Hillenburg (creator of SpongeBob SquarePants). |
2006 - 2012 | Animator- Digital CompositingPlastilina Creativa, Bogotá, Colombia As freelance animator for several T.V. commercials including clients: Maggi, Copa Airlines (former AeroRepública S.A.) and The Museum of Independence. Also worked as web designer, developer and administrator for the studios multiple websites. |
2011 | Animation Production Supervisor“Bite Size” Documentary, Los Angeles, USA Designing and implementing production workflow and budget for a 30 minutes animation segment of a socially conscious feature-length documentary about child obesity in the United States. |
2007 - 2010 | Animator- Digital CompositingLos Extraños Presagios de Leon Prozak, Bogotá, Colombia First feature-length experimental animation from Colombia by artist/director Carlos Santa. The film took about 15 years to be completed and has being screened at numerous festivals including Annecy, Stuttgart, Cinanima, Anima Mundi, Alucine and others. |